There are numerous articles on the working of various P2P networks, ed2k included. If all ed2k servers aare taken down, does that? No (google KAD).Īll this is publically available information. If we take down our ed2k server, does it have an effect on these people? No. Can we control what other people chose to make available to the ed2k network? No.
#SECTION 80 FORUM RAP TV#
Does it mean that TV Underground or it's staff somehow responsible for it or encourage it? Absolutely not. Is it possible for some rogue people to connect and make such stuff available to others? Yes, it is. TV Underground has been existing for 14 (!) years now and never once before anyone accused us of such horrible things. TV Underground, it's owner (me), it's staff DO NOT host, download, view, spread, facilitate in getting child pornography. I will try to make it as clear as possible. I am sure the actual guy spreading this stuff won't bother to read this, yet I'd like to make a statement to any possible new visitors. While it is nice that 20 years into the existance of the ed2k network, this guy found out about it and (oh shock) it turned out some bad people use it to share bad stuff, it is a shame he did not bother to comprehend the workings of P2P and ed2k specifically.
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Its best moments ("Rigamortis", "HiiiPower", "Kush & Corinthians", "A.D.H.D.") are simply dope as fuck, no qualifiers necessary.Seems like the twitter guy doesn't give up and last night published some mindblowing (as he thinks) details about his accusations. But self-serious flaws and all, Section.80 still stands as a powerful document of a tremendously promising young guy figuring out his voice.
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#SECTION 80 FORUM RAP HOW TO#
Dre hasn't yet taught Lamar how to hone all his best ideas into a few absolutely killer pieces of music maybe he still will. And certain moments just make me wince so hard, like this one, from "Hol' Up": "I wrote this record while 30,000 feet in the air/ Stewardess complimenting me on my nappy hair/ If I could fuck her in front of all these passengers/ They'd probably think I'm a terrorist." Those few lines add up to a repellent cauldron of horniness, persecution-complex fantasies, exhibitionism, and plain old youthful Bad Idea Jeans indulgence. Section.80 is an hour long, and it could drop probably a quarter of its running time without anyone missing anything. Given that Lamar is a talented and earnest young man with a lot to say and no big label nudging his music toward accessibility, it's only natural that he'd lose his way every once in a while. When he talks to girls, he sometimes recalls the supportively sincere Goodie Mob of "Beautiful Skin", actually counseling against cosmetics on "No Make-Up (Her Vice)": "Don't you know your imperfections is a wonderful blessing?/ From heaven is where you got it from." (Somehow, the redundant double-"from" makes the sentiment all the more adorable.) And he also recognizes self-destructive tendencies in himself: "I used to wanna see the penitentiary way after elementary/ Thought it was cool to look the judge in the face when he sentenced me." But it's not like he's some preacher/prophet figure he says "suck my dick" often enough that it gets boring. When he looks around, Lamar sees self-hate, nihilism, institutionalized oppression.
#SECTION 80 FORUM RAP CRACK#
Everywhere he looks, Lamar sees generational symptoms of the kids who came from the era of crack and Ronald Reagan. "You know why we crack babies cuz we born in the 80s," Lamar raps on the excellently emo relationship-song " A.D.H.D.", and that's a theme that comes up over and over.
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It's a young thinker attempting to describe the world as he sees it. A couple of guys from Lamar's Black Hippy crew- those guys really sound like Souls of Mischief when they get together- show up, but the album isn't a guest-heavy affair. The production, mostly from relative unknowns like THC and Sounwave, is almost uniformly excellent- a spaced-out blur of astral horns and blissed-out Fender Rhodes, with drums that only knock when they need to. Instead, it gives him a chance to chase his muse wherever it runs. Section.80, Lamar's new album, arrives on a wave of blog-based buzz, but beyond a couple of ill-advised choruses, it doesn't make much attempt to present Lamar to major-label A&Rs or to a wider audience. Instead, he's very much within the tradition of 90s groups like Souls of Mischief or the Pharcyde- self-deprecating and insanely talented kids who routinely ripped dizzy, slip-sliding flows over mellow jazz breaks. Lamar does exist within a strong West Coast continuum, but it has nothing to do with Dre.